NMC Library
Image from Google Jackets

The Oxford handbook of music and disability studies / edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus.

Contributor(s): Publisher: Oxford ; New York : Oxford University Press, [2016]Description: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780199331444 (hardcover : alk. paper)
  • 9780190650605
Subject(s): DDC classification:
  • 780.87 23
LOC classification:
  • ML3916 .O96 2016
Contents:
Part 1. Disability Communities -- 1. Toward an Ethnographic Model of Disability in the Ethnomusicology of Autism -- 2. Music, Intellectual Disability, and Human Flourishing -- 3. Imagined Hearing: Music-Making in Deaf Culture -- 4. Musical Expression among Deaf and Hearing Song Signers -- 5. The Politics of Sound: Music and Blindness in France, 1750-1830 -- 6. "They Say We Exchanged Our Eyes for the Xylophone": Resisting Tropes of Disability as Spiritual Deviance in Birifor Music -- 7. Understanding is Seeing: Music Analysis and Blindness -- Part 2. Performing Disability -- 8. Mechanized Bodies: Technology and Supplements in BjoÌrk's Electronica -- 9. Subhuman or Superhuman? (Musical) Assistive Technology, Performance Enhancement, and the Aesthetic/Moral Debate -- 10. Disabling Music Performance -- 11. Music and Bodily Difference in Cirque du Soleil -- 12. Punk Rock and Disability: Cripping Subculture -- 13. Moving Experiences: Blindness and the Performing Self in ImreÌ UngaÌr's Chopin -- 14. Stevie Wonder's Tactile Keyboard Mediation, Black Key Compositional Development, and the Quest for Creative Autonomy -- 15. Oh, the Stories We Tell! Performer-Audience-Disability -- 16. The Dancing Ground: Embodied Knowledge, Disability, and Visibility in New Orleans Second Lines -- Part 3. Race, Gender, Sexuality -- 17. A Cannon-Shaped Man with an Amphibian Voice: Castrato and Disability in Eighteenth-Century France -- 18. Sexuality, Trauma, and Dissociated Expression -- 19. That "Weird and Wonderful Posture": Jump "Jim Crow" and the Performance of Disability -- 20. Disabled Moves: Multi-dimensional Music Listening, Disturbing/Activating Differences of Identity --
Part 4. War and Trauma -- 21. Disabled Union Veterans and the Performance of Martial Begging -- 22. "Goodbye, Old Arm": The Domestication of Veterans' Disabilities in Civil War-Era Popular Songs -- 23. "The Absurd Disordering of Notes": Dysfunctional Memory in the Post-Traumatic Music of Ivor Gurney -- 24. Vocal Ability and Musical Performances of Nuclear Damages in the Marshall Islands -- Part 5. Premodern Conceptions -- 25. Lyrical Humor(s) in the 'Fumeur' Songs -- 26. Difference, Disability, and Composition in the Late Middle Ages: Of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze -- 27. Madness and Music as (Dis)ability in Early Modern England -- 28. Saul, David, and Music's Ideal Body -- Part 6. The Classical Tradition -- 29. Narratives of Affliction and Recovery in Haydn -- 30. Music and the Labyrinth of Melancholy -- 31. Musical Prosthesis: Form, Expression, and Narrative Structure in Beethoven's Sonata Movements -- 32. Sounds of Mind: Musicians and Madness in the Popular Imagination -- Part 7. Modernism and After -- 33. Modernist Opera's Stigmatized Subjects -- 34. Autism and Postwar Serialism as Neurodiverse Forms of Cultural Modernism -- 35. Broken Facture: Representations of Disability in the Music of Allan Pettersson -- 36. Musical Modernism's Aesthetics of Disability -- 37. "Defamiliarizing the Familiar": Michael Nyman, Narrative Medicine, and the Composition of Mental Blindness -- Part 8. Film and Musical Theater -- 38. Scene in a New Light: Monstrous Mothers, Disabled Daughters, and the Performance of Feminism and Disability in The Light in the Piazza (2005) and Next to Normal (2008) -- 39. "Pitiful Creature of Darkness": The Subhuman and the Superhuman in The Phantom of the Opera -- 40. "Waitin' for the Light to Shine": Musicals and Disability -- 41. Music for Richard III: Cinematic Scoring for the Early Modern Monstrous -- 42. Hearing a Site of Masculinity in Franz Waxman's Score for Pride of the Marines (1945)
List(s) this item appears in: Deaf History Month : 03/13-4/15

Includes bibliographical references and index.

Part 1. Disability Communities -- 1. Toward an Ethnographic Model of Disability in the Ethnomusicology of Autism -- 2. Music, Intellectual Disability, and Human Flourishing -- 3. Imagined Hearing: Music-Making in Deaf Culture -- 4. Musical Expression among Deaf and Hearing Song Signers -- 5. The Politics of Sound: Music and Blindness in France, 1750-1830 -- 6. "They Say We Exchanged Our Eyes for the Xylophone": Resisting Tropes of Disability as Spiritual Deviance in Birifor Music -- 7. Understanding is Seeing: Music Analysis and Blindness -- Part 2. Performing Disability -- 8. Mechanized Bodies: Technology and Supplements in BjoÌrk's Electronica -- 9. Subhuman or Superhuman? (Musical) Assistive Technology, Performance Enhancement, and the Aesthetic/Moral Debate -- 10. Disabling Music Performance -- 11. Music and Bodily Difference in Cirque du Soleil -- 12. Punk Rock and Disability: Cripping Subculture -- 13. Moving Experiences: Blindness and the Performing Self in ImreÌ UngaÌr's Chopin -- 14. Stevie Wonder's Tactile Keyboard Mediation, Black Key Compositional Development, and the Quest for Creative Autonomy -- 15. Oh, the Stories We Tell! Performer-Audience-Disability -- 16. The Dancing Ground: Embodied Knowledge, Disability, and Visibility in New Orleans Second Lines -- Part 3. Race, Gender, Sexuality -- 17. A Cannon-Shaped Man with an Amphibian Voice: Castrato and Disability in Eighteenth-Century France -- 18. Sexuality, Trauma, and Dissociated Expression -- 19. That "Weird and Wonderful Posture": Jump "Jim Crow" and the Performance of Disability -- 20. Disabled Moves: Multi-dimensional Music Listening, Disturbing/Activating Differences of Identity --

Part 4. War and Trauma -- 21. Disabled Union Veterans and the Performance of Martial Begging -- 22. "Goodbye, Old Arm": The Domestication of Veterans' Disabilities in Civil War-Era Popular Songs -- 23. "The Absurd Disordering of Notes": Dysfunctional Memory in the Post-Traumatic Music of Ivor Gurney -- 24. Vocal Ability and Musical Performances of Nuclear Damages in the Marshall Islands -- Part 5. Premodern Conceptions -- 25. Lyrical Humor(s) in the 'Fumeur' Songs -- 26. Difference, Disability, and Composition in the Late Middle Ages: Of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze -- 27. Madness and Music as (Dis)ability in Early Modern England -- 28. Saul, David, and Music's Ideal Body -- Part 6. The Classical Tradition -- 29. Narratives of Affliction and Recovery in Haydn -- 30. Music and the Labyrinth of Melancholy -- 31. Musical Prosthesis: Form, Expression, and Narrative Structure in Beethoven's Sonata Movements -- 32. Sounds of Mind: Musicians and Madness in the Popular Imagination -- Part 7. Modernism and After -- 33. Modernist Opera's Stigmatized Subjects -- 34. Autism and Postwar Serialism as Neurodiverse Forms of Cultural Modernism -- 35. Broken Facture: Representations of Disability in the Music of Allan Pettersson -- 36. Musical Modernism's Aesthetics of Disability -- 37. "Defamiliarizing the Familiar": Michael Nyman, Narrative Medicine, and the Composition of Mental Blindness -- Part 8. Film and Musical Theater -- 38. Scene in a New Light: Monstrous Mothers, Disabled Daughters, and the Performance of Feminism and Disability in The Light in the Piazza (2005) and Next to Normal (2008) -- 39. "Pitiful Creature of Darkness": The Subhuman and the Superhuman in The Phantom of the Opera -- 40. "Waitin' for the Light to Shine": Musicals and Disability -- 41. Music for Richard III: Cinematic Scoring for the Early Modern Monstrous -- 42. Hearing a Site of Masculinity in Franz Waxman's Score for Pride of the Marines (1945)

Powered by Koha