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The Oxford handbook of music and disability studies / edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus.

Contributor(s): Publisher: Oxford ; New York : Oxford University Press, [2016]Description: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780199331444 (hardcover : alk. paper)
  • 9780190650605
Subject(s):
Contents:
Part 1. Disability Communities -- 1. Toward an Ethnographic Model of Disability in the Ethnomusicology of Autism -- 2. Music, Intellectual Disability, and Human Flourishing -- 3. Imagined Hearing: Music-Making in Deaf Culture -- 4. Musical Expression among Deaf and Hearing Song Signers -- 5. The Politics of Sound: Music and Blindness in France, 1750-1830 -- 6. "They Say We Exchanged Our Eyes for the Xylophone": Resisting Tropes of Disability as Spiritual Deviance in Birifor Music -- 7. Understanding is Seeing: Music Analysis and Blindness -- Part 2. Performing Disability -- 8. Mechanized Bodies: Technology and Supplements in BjoÌrk's Electronica -- 9. Subhuman or Superhuman? (Musical) Assistive Technology, Performance Enhancement, and the Aesthetic/Moral Debate -- 10. Disabling Music Performance -- 11. Music and Bodily Difference in Cirque du Soleil -- 12. Punk Rock and Disability: Cripping Subculture -- 13. Moving Experiences: Blindness and the Performing Self in ImreÌ UngaÌr's Chopin -- 14. Stevie Wonder's Tactile Keyboard Mediation, Black Key Compositional Development, and the Quest for Creative Autonomy -- 15. Oh, the Stories We Tell! Performer-Audience-Disability -- 16. The Dancing Ground: Embodied Knowledge, Disability, and Visibility in New Orleans Second Lines -- Part 3. Race, Gender, Sexuality -- 17. A Cannon-Shaped Man with an Amphibian Voice: Castrato and Disability in Eighteenth-Century France -- 18. Sexuality, Trauma, and Dissociated Expression -- 19. That "Weird and Wonderful Posture": Jump "Jim Crow" and the Performance of Disability -- 20. Disabled Moves: Multi-dimensional Music Listening, Disturbing/Activating Differences of Identity --
Part 4. War and Trauma -- 21. Disabled Union Veterans and the Performance of Martial Begging -- 22. "Goodbye, Old Arm": The Domestication of Veterans' Disabilities in Civil War-Era Popular Songs -- 23. "The Absurd Disordering of Notes": Dysfunctional Memory in the Post-Traumatic Music of Ivor Gurney -- 24. Vocal Ability and Musical Performances of Nuclear Damages in the Marshall Islands -- Part 5. Premodern Conceptions -- 25. Lyrical Humor(s) in the 'Fumeur' Songs -- 26. Difference, Disability, and Composition in the Late Middle Ages: Of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze -- 27. Madness and Music as (Dis)ability in Early Modern England -- 28. Saul, David, and Music's Ideal Body -- Part 6. The Classical Tradition -- 29. Narratives of Affliction and Recovery in Haydn -- 30. Music and the Labyrinth of Melancholy -- 31. Musical Prosthesis: Form, Expression, and Narrative Structure in Beethoven's Sonata Movements -- 32. Sounds of Mind: Musicians and Madness in the Popular Imagination -- Part 7. Modernism and After -- 33. Modernist Opera's Stigmatized Subjects -- 34. Autism and Postwar Serialism as Neurodiverse Forms of Cultural Modernism -- 35. Broken Facture: Representations of Disability in the Music of Allan Pettersson -- 36. Musical Modernism's Aesthetics of Disability -- 37. "Defamiliarizing the Familiar": Michael Nyman, Narrative Medicine, and the Composition of Mental Blindness -- Part 8. Film and Musical Theater -- 38. Scene in a New Light: Monstrous Mothers, Disabled Daughters, and the Performance of Feminism and Disability in The Light in the Piazza (2005) and Next to Normal (2008) -- 39. "Pitiful Creature of Darkness": The Subhuman and the Superhuman in The Phantom of the Opera -- 40. "Waitin' for the Light to Shine": Musicals and Disability -- 41. Music for Richard III: Cinematic Scoring for the Early Modern Monstrous -- 42. Hearing a Site of Masculinity in Franz Waxman's Score for Pride of the Marines (1945)
List(s) this item appears in: Neurodiversity
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book NMC Library Stacks ML3916 .O96 2016 1 Available 33039001396489

Includes bibliographical references and index.

Part 1. Disability Communities -- 1. Toward an Ethnographic Model of Disability in the Ethnomusicology of Autism -- 2. Music, Intellectual Disability, and Human Flourishing -- 3. Imagined Hearing: Music-Making in Deaf Culture -- 4. Musical Expression among Deaf and Hearing Song Signers -- 5. The Politics of Sound: Music and Blindness in France, 1750-1830 -- 6. "They Say We Exchanged Our Eyes for the Xylophone": Resisting Tropes of Disability as Spiritual Deviance in Birifor Music -- 7. Understanding is Seeing: Music Analysis and Blindness -- Part 2. Performing Disability -- 8. Mechanized Bodies: Technology and Supplements in BjoÌrk's Electronica -- 9. Subhuman or Superhuman? (Musical) Assistive Technology, Performance Enhancement, and the Aesthetic/Moral Debate -- 10. Disabling Music Performance -- 11. Music and Bodily Difference in Cirque du Soleil -- 12. Punk Rock and Disability: Cripping Subculture -- 13. Moving Experiences: Blindness and the Performing Self in ImreÌ UngaÌr's Chopin -- 14. Stevie Wonder's Tactile Keyboard Mediation, Black Key Compositional Development, and the Quest for Creative Autonomy -- 15. Oh, the Stories We Tell! Performer-Audience-Disability -- 16. The Dancing Ground: Embodied Knowledge, Disability, and Visibility in New Orleans Second Lines -- Part 3. Race, Gender, Sexuality -- 17. A Cannon-Shaped Man with an Amphibian Voice: Castrato and Disability in Eighteenth-Century France -- 18. Sexuality, Trauma, and Dissociated Expression -- 19. That "Weird and Wonderful Posture": Jump "Jim Crow" and the Performance of Disability -- 20. Disabled Moves: Multi-dimensional Music Listening, Disturbing/Activating Differences of Identity --

Part 4. War and Trauma -- 21. Disabled Union Veterans and the Performance of Martial Begging -- 22. "Goodbye, Old Arm": The Domestication of Veterans' Disabilities in Civil War-Era Popular Songs -- 23. "The Absurd Disordering of Notes": Dysfunctional Memory in the Post-Traumatic Music of Ivor Gurney -- 24. Vocal Ability and Musical Performances of Nuclear Damages in the Marshall Islands -- Part 5. Premodern Conceptions -- 25. Lyrical Humor(s) in the 'Fumeur' Songs -- 26. Difference, Disability, and Composition in the Late Middle Ages: Of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze -- 27. Madness and Music as (Dis)ability in Early Modern England -- 28. Saul, David, and Music's Ideal Body -- Part 6. The Classical Tradition -- 29. Narratives of Affliction and Recovery in Haydn -- 30. Music and the Labyrinth of Melancholy -- 31. Musical Prosthesis: Form, Expression, and Narrative Structure in Beethoven's Sonata Movements -- 32. Sounds of Mind: Musicians and Madness in the Popular Imagination -- Part 7. Modernism and After -- 33. Modernist Opera's Stigmatized Subjects -- 34. Autism and Postwar Serialism as Neurodiverse Forms of Cultural Modernism -- 35. Broken Facture: Representations of Disability in the Music of Allan Pettersson -- 36. Musical Modernism's Aesthetics of Disability -- 37. "Defamiliarizing the Familiar": Michael Nyman, Narrative Medicine, and the Composition of Mental Blindness -- Part 8. Film and Musical Theater -- 38. Scene in a New Light: Monstrous Mothers, Disabled Daughters, and the Performance of Feminism and Disability in The Light in the Piazza (2005) and Next to Normal (2008) -- 39. "Pitiful Creature of Darkness": The Subhuman and the Superhuman in The Phantom of the Opera -- 40. "Waitin' for the Light to Shine": Musicals and Disability -- 41. Music for Richard III: Cinematic Scoring for the Early Modern Monstrous -- 42. Hearing a Site of Masculinity in Franz Waxman's Score for Pride of the Marines (1945)