000			03975cam a2200325 a 4500
003			MiTN
005			20190729102650.0
008			981105s1999 caua b 001 0 eng
010			_a 98085210
020			_a0122135644 (hb : acidfree paper)
020			_a0122135652 (pb)
040			_aDLC _cDLC _dDLC
049			_aEY8Z
050	0	0	_aML3830 _b.P9 1999
082	0	0	_a781/.11 _221
245	0	4	_aThe psychology of music / _cedited by Diana Deutsch.
250			_a2nd ed.
260			_aSan Diego : _bAcademic Press, _cc1999.
300			_axvi, 807 p. : _bill. ; _c24 cm.
440		0	_aAcademic Press series in cognition and perception
504			_aIncludes bibliographical references and index.
505	0		_aThe Nature of Musical Sound / John R. Pierce -- Concert Halls: From Magic to Number Theory / Manfred R. Schroeder -- Music and the Auditory System / Norman M. Weinberger -- The Perception of Musical Tones / Rudolf Rasch and Reinier Plomp -- Exploration of Timbre by Analysis and Synthesis / Jean-Claude Risset and David L. Wessel -- The Perception of Singing / Johan Sundberg -- Intervals, Scales, and Tuning / Edward M. Burns -- Absolute Pitch / W. Dixon Ward -- Grouping Mechanisms in Music / Diana Deutsch -- Processing of Pitch Combinations / Diana Deutsch -- Neural Nets, Temporal Composites and Tonality / Jamshed J. Bharucha -- Hierarchical Expectation and Musical Style / Eugene Narmour -- Rhythm and Timing in Music / Eric F. Clarke -- The Performance of Music / Alf Gabrielsson -- The Development of Music Perception and Cognition / W.Jay Dowling -- Musical Ability / Rosamund Shuter-Dyson -- Neurological Aspects of Music Perception and Performance / Oscar S.M. Marin and David W. Perry -- Comparative Music Perception and Cognition / Edward C. Carterette and Roger A. Kendall.
520			_aPublisher description : The aim of the psychology of music is to understand musical phoneomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since the First Edition of The Psychology of Music was published the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the first edition was written, are now quite common to a large extent now speaking a common language and agreeing on basic philosophical issues. The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables. The book is intended as a comprehensive reference source for both musicians and psychologists. Key Features : * Concert Halls: From Magic to Number Theory -- * Music and the Auditory System -- * The Perception of Musical Tones -- * The Perception of Singing -- * Intervals, Scales, and Tuning -- * Absolute Pitch -- * Grouping Mechanisms in Music -- * Processing of Pitch Combinations -- * Neural Nets, Temporal Composites and Tonality -- * Hierarchical Expectation and Musical Style -- * Rhythm and Timing in Music -- * Music Performance -- * The Development of Music Perception and Cognition -- * Musical Ability -- * Neurological Aspects of Music Perception and Performance -- * Comparative Music Perception and Cognition.
650		0	_aMusic _xPsychological aspects.
700	1		_aDeutsch, Diana.
948			_au164197
949			_hEY8Z _i33039000696210
596			_a1
903			_a7186
999			_c7186 _d7186