| 000 | 03293cam a2200481Mi 4500 | ||
|---|---|---|---|
| 001 | 955313136 | ||
| 003 | OCoLC | ||
| 005 | 20190729110857.0 | ||
| 008 | 160804s2017 enk 000 0 eng | ||
| 019 |
_a973794558 _a974260865 _a974467107 _a974556469 |
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| 020 | _a9781472576033 | ||
| 020 | _a1472576039 | ||
| 020 | _z9781472576057 | ||
| 020 | _z9781472576064 | ||
| 035 | _a(OCoLC)955313136 | ||
| 040 |
_aERASA _beng _erda _cERASA _dYDX _dOCLCO _dCUI _dQGK _dCUI _dOCLCA _dUtOrBLW |
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| 043 | _ae-uk-en | ||
| 050 | 4 |
_aPN2589 _b.T76 2017 |
|
| 082 | 0 | 4 | _a790.2 |
| 100 | 1 | _aTribble, Evelyn B., | |
| 245 | 1 | 0 |
_aEarly modern actors and Shakespeare's theatre : _bthinking with the body / _cEvelyn Tribble |
| 264 | 1 |
_aLondon : _bBloomsbury Academic, _c2017 |
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| 300 |
_aix, 225 pages ; _c21 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aArden Shakespeare | |
| 520 | 8 | _aWhat skills did Shakespeare's actors bring to their craft? How do these skills differ from those of contemporary actors?" This volume "examines the 'toolkit' of the early modern player and suggests new readings of the plays of Shakespeare and his contemporaries through the lens of their many skills.Theatre is an ephemeral medium. Little remains to us of the plays of Shakespeare and his contemporaries: some printed texts, scattered documents and records, and a few scraps of description, praise, and detraction. Because most of what survives are printed playbooks, students of English theatre find it easy to forget that much of what happened on the early modern stage took place within the gaps of written language: the implicit or explicit calls for fights, dances, military formations, feats of physical skill, song, and clowning. Theatre historians and textual editors have often ignored or denigrated such moments, seeing them merely as extraneous amusements or signs that the text has been 'corrupted' by actors. This book argues that recapturing a positive account of the skills and expertise of the early modern players will result in a more capacious understanding of the nature of theatricality in the period | |
| 504 | _aIncludes bibliographical references and index | ||
| 505 | 0 | _aFC; Half title; Related Titles; Title; Copyright; Dedication; Contents; Acknowledgements; 1 Introduction; 2 The Moving Body; 3 'Skill of Weapon'; 4 The Art of Dance; 5 The Skills behind the Skills: Variety and Overtopping; 6 Conclusions: Reconstructing Skill; Notes; Bibliography; Index | |
| 550 | _aWorldShare provided record | ||
| 600 | 1 | 0 |
_aShakespeare, William, _d1564-1616 _xStage history _yTo 1625 |
| 650 | 0 |
_aActing _xHistory _y16th century |
|
| 650 | 0 |
_aActing _xHistory _y17th century |
|
| 650 | 0 |
_aTheater _zEngland _xHistory _y16th century |
|
| 650 | 0 |
_aTheater _zEngland _xHistory _y17th century |
|
| 776 | 0 | 8 |
_iOnline version: _aTribble, Evelyn B. _tEarly modern actors and Shakespeare's theatre : thinking with the body. _dLondon ; New York, NY : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017 _z9781472576057 _w(OCoLC)965825696 |
| 830 | 0 | _aArden Shakespeare (Critical studies) | |
| 948 | _au792469 | ||
| 949 |
_aPN2589 .T76 2017 _wLC _c1 _hEY8Z _i33039001443679 |
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| 596 | _a1 | ||
| 903 | _a35896 | ||
| 999 |
_c35896 _d35896 |
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