000			02250cam a2200397 i 4500
001			12990157
003			MiTN
005			20190729110624.0
008			161013t20162016enka b 001 0 eng d
010			_a 2015959507
020			_a9780500239452
020			_a0500239452
035			_a(OCoLC)ocn958378003
035			_a12990157
040			_aERASA _beng _erda _cERASA _dOCLCQ _dYDX _dOCLCO _dNDD _dCHVBK _dUAB _dOCLCF _dNYP _dNKM
050		4	_aND196.F5 _bH96 2016
082	0	4	_a709.04 _223
082	0	4	_a759.06
100	1		_aHyman, Timothy,
245	1	4	_aThe world new made : _bfigurative painting in the twentieth century / _cTimothy Hyman.
264		1	_aLondon : _bThames & Hudson, _c2016.
264		4	_c©2016
300			_a256 pages : _billustrations (chiefly color) ; _c27 cm
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references (pages 244-247) and index.
520	8		_aTimothy Hyman argues that figuration never went away; abstraction was just one of the ways by which artists renewed pictorial language. This book is structured not as a general survey, but as an in-depth exploration of over 130 specific paintings, and accompanying artists' writings. Focusing on those painters who took a contrary path, he presents a case for these artists as a resistance of sorts. Starting with the oppressive stylistic imperative that set in as Cubism became a movement, he guides us through the Neue Sachlichkeit response to Expressionism, Intimism, 'outsiders' and the aftermath of Abstract Expressionism, towards a new kind of history painting. He shows how abstraction becomes a midwife to a new kind of figuration. A celebration of the richness of human-centred painting over the last century, Timothy Hyman's lavishly illustrated new book brings these often-marginalized artists centre stage. Together they offer a counter-argument to Western formalism, and a foundation for the figurative painters of the 21st century.
650		0	_aFigurative painting _y20th century.
650		0	_aPainting, Modern _y20th century.
596			_a1
948			_au620814
903			_a34285
999			_c34285 _d34285