000			02241cam a2200337 4500
001			0172077479
003			MiTN
005			20190729102132.0
008			730619s1972 ilua b 00110 eng
020			_a0226791467
040			_cMiTN
043			_ae-uk---
049			_aEY8A
050	0		_aPR641 _b.T3
059			_a001 HIST 72077479
082			_a822/.051
092			_a822.109 T215
100	1	0	_aTaylor, Jerome, _d1918-
245	1	0	_aMedieval English drama; _bessays critical and contextual. _cEdited by Jerome Taylor and Alan H. Nelson.
260	0		_aChicago, _bUniversity of Chicago Press _c[1972]
300			_avi, 351 p. _billus. _c24 cm.
490	0		_aPatterns of literary criticism
504			_aIncludes bibliographical references.
505	0		_aTaylor, J. Critics, mutations, and historians of medieval English drama: an introduction to the essays that follow.--Marshall, M. H. Aesthetic values of the liturgical drama.--Dunn, E. C. Voice structure in the liturgical drama; Sepet reconsidered.--Smoldon, W. L. The melodies of the medieval church dramas and their significance.--Brown, H. M. Musicians in the Mystaeres and miracles.--Loomis, L. H. Secular dramatics in the royal palace, Paris, 1378, 1389, and Chaucer's "Tregetoures."--Nelson, A. H. Some configurations of staging in medieval English drama.--Taylor, J. The dramatic structure of the Middle English Corpus Christi, or cycle, plays.--Elliott, J. R., Jr. The sacrifice of Isaac as comedy and tragedy.--Ross, L. J. Symbol and structure in the Secunda pastorum.--Carpenter, N. C. Music in the Secunda pastorum.--Nelson, A. H. The temptation of Christ; or, The temptation of Satan.--Robinson, J. W. The art of the York realist.--Diller, H.-J. The craftsmanship of the Wakefield master.--Leigh, D. J. The Doomsday mystery play: an eschatological morality.--Schell, E. T. On the imitation of life's pilgrimage in the Castle of perseverance.--Schmitt, N. C. Was there a medieval theater in the round?--Kolve, V. A. Everyman and the parable of the talents.
650		0	_aEnglish drama _yTo 1500 _xHistory and criticism.
700	1	0	_aNelson, Alan H.,
948			_au13043
949			_a33039000141845
596			_a1
903			_a2576
999			_c2576 _d2576