000			02165cam a2200313 i 4500
001			zmeld4 b10002975
008			200120t20202020enka b 001 0 eng d
020			_a9780500204474 _q(paperback)
020			_a0500204470 _q(paperback)
035			_a(OCoLC)1138711803
035			_a(coutts)cts23735681
040			_aTOH _beng _erda _cTOH _dBDX _dUKMGB _dOCLCO _dERASA _dOCLCF _dYDXIT _dOCLCO _dCDX _dCaONFJC _dMiTN
050		4	_aND553 .M7 _bR835 2020
100	1		_aRubin, James Henry,
245	1	0	_aMonet / _cJames H. Rubin.
264		1	_aLondon : _bThames & Hudson, _c2020.
264		4	_c©2020.
300			_a223 pages : _bcolor illustrations ; _c21 cm.
336			_atext _btxt _2rdacontent.
336			_astill image _bsti _2rdacontent.
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
490	0		_aWorld of art.
504			_aIncludes bibliographical references (pages 211-213) and index.
520	8		_aClaude Monet (1840-1926) is one of the most admired and famous painters of all time, and the architect of Impressionism: a revolution that gave birth to modern art. His technique - painting out of doors, at the seashore or in the city streets - was as radically new as his subject matter, the landscapes and middle-class pastimes of a newly industrialized Paris. Painting with an unprecedented immediacy and authenticity, Monet claimed that his work was something new: both natural and true. 0In this new introductory study, James H. Rubin - one of the world's foremost specialists in 19th-century French art - traces the development of Monet's practice, from his early work as a caricaturist to the late paintings of waterlilies and his garden at Giverny. Rubin explores the cultural currents that helped to shape Monet's work: the utopian thought that gave rise to his politics; his interest in Japanese prints, gardening, and trends in the decorative arts; and his relationship with earlier French landscape painters as well as such contemporaries as Manet and Renoir.
600	1	0	_aMonet, Claude, _d1840-1926.
600	1	0	_aMonet, Claude, _d1840-1926 _xCriticism and interpretation.
650		0	_aImpressionism (Art)
999			_c237094 _d237094