000 | 02379cam a2200313 i 4500 | ||
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001 | zmeld4 b9977081 | ||
008 | 190606t20192019enka b 001 0 eng d | ||
020 |
_a9780500022610 _q(hardcover) |
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020 |
_a0500022615 _q(hardcover) |
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035 |
_a(OCoLC)1112379391 _z(OCoLC)1085204012 _z(OCoLC)1107681672 |
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035 | _a(coutts)cts23448659 | ||
040 |
_aUKMGB _beng _erda _cUKMGB _dOCLCO _dERASA _dBDX _dYDX _dOCLCF _dSINLB _dMNX _dYDX _dUAB _dCDX _dCaONFJC _dMiTN |
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050 | 4 |
_aN8217 .B56 _bM677 2019 |
|
100 | 1 | _aMorris, Desmond, | |
245 | 1 | 0 |
_aPostures : _bbody language in art / _cDesmond Morris. |
264 | 1 |
_aLondon ; _aNew York, New York : _bThames & Hudson, _c2019. |
|
264 | 4 | _c©2019. | |
300 |
_a319 pages : _billustrations (chiefly color) ; _c25 cm. |
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336 |
_atext _btxt _2rdacontent. |
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336 |
_astill image _bsti _2rdacontent. |
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337 |
_aunmediated _bn _2rdamedia. |
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338 |
_avolume _bnc _2rdacarrier. |
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504 | _aIncludes bibliographical references (page 308) and index. | ||
505 | 0 | _aGreetings -- Blessings -- Status -- Insults -- Threats -- Distress -- Self-protection -- The erotic -- At rest. | |
520 | _aExamining the body language displayed in works of art is a whole new way of looking at art. The gestures portrayed can reflect the mores of a particular period in history, the customs of a certain culture or a fashion in artistic styles. Exploring these with masterful subtlety, celebrated artist and anthropologist Desmond Morris uncovers fascinating insights about changing social attitudes and conventions through history and around the world, finding surprising similarities as well as now rarely used gestures. Morris selects a number of key gestures, such as the handshake, the pointed foot, or the glove-slap, and groups them by the message they are intended to convey, such as Greetings, Status and Threats. He discusses the previously unconsidered symbolism behind these. What is understood as a gang sign today may have borne a more enigmatic meaning for Botticelli. And what did Napoleon's hidden hand really mean? 'Postures: Body Language in Art' uniquely combines the author's expertise in both art and social science, so that even the most familiar paintings are suddenly seen in a new light. | ||
650 | 0 |
_aBody language in art _xHistory. |
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650 | 0 |
_aBody language in art _xSocial aspects. |
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650 | 0 | _aArt and society. | |
999 |
_c237067 _d237067 |