000			02688cam a2200325 i 4500
001			ocm1111653438
003			OCoLC
005			20200821113917.0
008			190730s2020 mnua b 001 0 eng
010			_a2019033190
020			_a9781517906283 _qpaperback
020			_a1517906288 _qpaperback
020			_z9781452963808 _qelectronic book
035			_a(OCoLC)1111653438
040			_aDLC _beng _erda _cDLC _dOCLCF _dOCLCO _dBDX _dYDX _dTOH _dYDX _dMiTN
042			_apcc
050	0	0	_aML3531 _b.P4 2020
100	1		_aPatrin, Nate, _d1977-
245	1	0	_aBring that beat back : _bhow sampling built hip-hop / _cNate Patrin.
264		1	_aMinneapolis, MN : _bUniversity of Minnesota Press, _c[2020]
300			_axii, 347 pages : _billustrations ; _c24 cm.
336			_atext _btxt _2rdacontent.
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
504			_aIncludes bibliographical references and index.
520			_a"Bring That Beat Back: How Sampling Built Hip-Hop is a proposed history of how sampling, as a wholly new form of creating and commenting on music, became a vital part of hip-hop's DNA, from the NY DJs in the late 1970s to today. The story will arc across four DJs who pushed this technology and approach into new territory: Grandmaster Flash, the pioneer; Prince Paul, the innovator; Dr. Dre, the mogul; and Madlib, the left-field curator. Alongside that arc, Patrin will do a deep dive into songs that were heavily sampled and represent/illuminate the power, complexity, and rich history of how sampling has helped build and evolve hip-hop. Throughout, these sections will be far from insular, and instead, reach and pull in the many DJs, producers, and moments that tell this wide-ranging story. Utilizing a wealth of extant interviews and archival material alongside new interviews with people who were there, other critics, and Patrin's own narrative of this history, Bring That Beat Back would be both a geeky dive for music fans and hip-hop heads but also a highly accessible introduction to a form of music that turned power dynamics upside down, made back-row session musicians more iconic to creators than the mega-watt stars at the front of the stage, and how this continual boundary breaking in production and its reshaping of the musical "canon" is very much an extended riff from the history of pop music itself"-- _cProvided by publisher.
650		0	_aRap (Music) _xHistory and criticism.
650		0	_aRap (Music) _xProduction and direction _xHistory.
776	0	8	_iOnline version: _aPatrin, Nate, 1977- _tBring that beat back _dMinneapolis : University of Minnesota Press, 2020. _z9781452963808 _w(DLC) 2019033191.
999			_c236700 _d236700