000 | 02688cam a2200325 i 4500 | ||
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001 | ocm1089438714 | ||
005 | 20200122110842.0 | ||
008 | 190309t20192019njua e b 001 0 eng c | ||
010 | _a 2018957591 | ||
020 |
_a9780691156521 _q(hbk. ; _qacid-free paper) |
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020 |
_a0691156522 _q(hbk. ; _qacid-free paper) |
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035 | _a(OCoLC)on1089438714 | ||
040 |
_aYDX _beng _erda _cYDX _dUKMGB _dOCLCO _dOCLCF _dPUL _dCDX _dOCLCQ _dBKL _dFSJ _dNYP _dEYR _dMiTN |
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042 | _apcc | ||
050 | 4 |
_aN7480 _b.W673 2019 |
|
100 | 1 | _aWood, Christopher S. | |
245 | 1 | 2 |
_aA history of art history / _cChristopher S. Wood. |
264 | 1 |
_aPrinceton : _bPrinceton University Press, _c[2019] |
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264 | 4 | _c©2019. | |
300 |
_a461 pages : _billustrations ; _c25 cm. |
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336 |
_atext _btxt _2rdacontent. |
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336 |
_astill image _bsti _2rdacontent. |
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337 |
_aunmediated _bn _2rdamedia. |
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338 |
_avolume _bnc _2rdacarrier. |
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504 | _aIncludes bibliographical references (pages 409-443) and index. | ||
505 | 0 | _aIntroduction -- 800-1400 -- 1400-1500 -- 1500-1550 -- 1550-1600 -- 1600-1650 -- 1650-1700 -- 1700-1750 -- 1750-1770 -- 1770-1790 -- 1790-1810 -- 1810-1830 -- 1830-1850 -- 1850-1870 -- 1870-1890 -- 1890-1900 -- 1900-1910 -- 1910-1920 -- 1920-1930 -- 1930-1940 -- 1940-1950 -- 1950-1960 -- Conclusion: novissima. | |
520 | _a"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket. | ||
650 | 0 |
_aArt _xHistoriography. |
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650 | 0 |
_aArt _xHistory. |
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999 |
_c236579 _d236579 |