000 02688cam a2200325 i 4500
001 ocm1089438714
005 20200122110842.0
008 190309t20192019njua e b 001 0 eng c
010 _a 2018957591
020 _a9780691156521
_q(hbk. ;
_qacid-free paper)
020 _a0691156522
_q(hbk. ;
_qacid-free paper)
035 _a(OCoLC)on1089438714
040 _aYDX
_beng
_erda
_cYDX
_dUKMGB
_dOCLCO
_dOCLCF
_dPUL
_dCDX
_dOCLCQ
_dBKL
_dFSJ
_dNYP
_dEYR
_dMiTN
042 _apcc
050 4 _aN7480
_b.W673 2019
100 1 _aWood, Christopher S.
245 1 2 _aA history of art history /
_cChristopher S. Wood.
264 1 _aPrinceton :
_bPrinceton University Press,
_c[2019]
264 4 _c©2019.
300 _a461 pages :
_billustrations ;
_c25 cm.
336 _atext
_btxt
_2rdacontent.
336 _astill image
_bsti
_2rdacontent.
337 _aunmediated
_bn
_2rdamedia.
338 _avolume
_bnc
_2rdacarrier.
504 _aIncludes bibliographical references (pages 409-443) and index.
505 0 _aIntroduction -- 800-1400 -- 1400-1500 -- 1500-1550 -- 1550-1600 -- 1600-1650 -- 1650-1700 -- 1700-1750 -- 1750-1770 -- 1770-1790 -- 1790-1810 -- 1810-1830 -- 1830-1850 -- 1850-1870 -- 1870-1890 -- 1890-1900 -- 1900-1910 -- 1910-1920 -- 1920-1930 -- 1930-1940 -- 1940-1950 -- 1950-1960 -- Conclusion: novissima.
520 _a"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket.
650 0 _aArt
_xHistoriography.
650 0 _aArt
_xHistory.
999 _c236579
_d236579