000 01614cam a2200373 i 4500
001 2017059815
003 DLC
005 20190723104124.0
008 171215s2018 ncua b 001 0 eng
010 _a 2017059815
020 _a9781478000419 (hardcover : alk. paper)
020 _a9781478000549 (pbk. : alk. paper)
020 _z9781478002239 (ebook)
042 _apcc
043 _an-us---
040 _aNcD/DLC
_beng
_erda
_cNcD
_dDLC
050 0 0 _aP94.5.A372
_bU554 2018
082 0 0 _a305.896/073
_223
100 1 _aGates, Racquel J.,
_d1980-
245 1 0 _aDouble negative :
_bthe Black image and popular culture /
_cRacquel J. Gates.
264 1 _aDurham ;
_aLondon :
_bDuke University Press,
_c2018.
300 _axii, 236 pages :
_billustrations ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references (pages [191]-218) and index.
505 0 _aEddie Murphy, Coming to America, and formal negativity -- Relational negativity : the sellout films of the 1990s -- The circumstantial negativity of Halle Berry -- Embracing the ratchet reality television and strategic negativity.
650 0 _aAfrican Americans in mass media.
650 0 _aAfrican Americans in popular culture.
650 0 _aAfrican Americans and mass media.
650 0 _aRace in mass media.
650 0 _aAfrican Americans
_xRace identity.
776 0 8 _iOnline version:
_aGates, Racquel J., 1980- author.
_tDouble negative
_dDurham : Duke University Press, 2018
_z9781478002239
_w(DLC) 2017061591
999 _c234050
_d234050