000			01752cam a2200385 a 4500
001			2010026528
003			DLC
005			20190729104504.0
008			100625s2010 nbua b s001 0 eng
010			_a 2010026528
020			_a9780803211261 (cloth : alk. paper)
020			_a0803211260 (cloth : alk. paper)
035			_a(OCoLC)ocn555650123
040			_aDLC _cDLC _dYDX _dBTCTA _dYDXCP _dTXX _dYAM _dCDX _dDLC
042			_apcc
043			_an-us---
049			_aEY8Z
050	0	0	_aPN1995.9.I48 _bR34 2010
082	0	0	_a302.23089 _222
100	1		_aRaheja, Michelle H.
245	1	0	_aReservation reelism : _bredfacing, visual sovereignty, and representations of Native Americans in film / _cMichelle H. Raheja.
260			_aLincoln : _bUniversity of Nebraska Press, _cc2010.
300			_axviii, 338 p. : _bill. ; _c23 cm.
504			_aIncludes bibliographical references (p. [291]-317) and index.
505	0		_aToward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner).
650		0	_aIndians in motion pictures.
650		0	_aIndigenous peoples in motion pictures.
650		0	_aIndians in the motion picture industry _zUnited States.
650		0	_aStereotypes (Social psychology) in motion pictures.
650		0	_aMotion pictures _zUnited States _xHistory _y20th century.
948			_au333967
949			_aPN1995.9 .I48 R34 2010 _wLC _c1 _hEY8Z _i33039001185007
596			_a1
903			_a20860
999			_c20860 _d20860