000			03126nam a22004934a 4500
001			2010283932
003			DLC
005			20190729104253.0
008			101201s2010 ilua bc 001 0 eng
010			_a 2010283932
015			_aGBB040462 _2bnb
016	7		_a015511939 _2Uk
020			_a9780300177244
020			_a9780300155273 (hbk.)
020			_a0300155271 (hbk.)
020			_a9780865592377 (paper)
020			_a0865592373 (paper)
035			_a(OCoLC)ocn559857331
040			_aUKM _cUKM _dYUS _dC#P _dBTCTA _dYDXCP _dBWX _dVVC _dCDX _dIBI _dNLGGC _dUKTTE _dNTE _dKEC _dNSB _dDLC
042			_aukscp _alccopycat
049			_aEY8Z
050	0	0	_aND553.M37 _bA4 2010
082	0	4	_a759.4 _222
245	0	0	_aMatisse : _bradical invention, 1913-1917 / _cStephanie D'Alessandro, John Elderfield.
250			_a1st ed.
260			_aChicago, Ill. : _bArt Institute of Chicago ; _aNew Haven, Conn. : _bDistributed by Yale University Press, _cc2010.
300			_a368 p. : _bill. (chiefly col.) ; _c34 cm.
500			_a"Published in conjunction with an exhibition of the same title co-organized by the Art Institute of Chicago and the Museum of Modern Art, New York. Exhibition dates: Art Institute of Chicago, March 20, 2010-June 20, 2010; Museum of Modern Art, July 18, 2010-October 11, 2010"--T.p. verso.
500			_aAt foot of title: Art Institute of Chicago ; Museum of Modern Art ; Yale University Press, New Haven and London.
504			_aIncludes bibliographical references (p. 356-361) and index.
505	0		_aMatisse, 1913-1917, and the methods of modern construction -- Defining a new art -- Chronology 1907-1913 ; Modernism and tradition ; Opportunity and invention ; Construction by means of color -- Changing direction -- Chronology 1913-1914 ; A painful effort ; New ambitions -- Art as experiment -- Chronology 1914-1917 ; Interruptions and returns ; The challenge of painting ; Charting a new course -- Coda : the experiment remembered.
520			_aThis book examines the working method, experimental techniques, and compositional choices Matisse used in works created between 1913 and 1917. The works that Henri Matisse (1869-1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberrations within the artist's oeuvre, or as singular responses to Cubism or World War I, this book reveals the deep connections among them.
600	1	0	_aMatisse, Henri, _d1869-1954 _vExhibitions.
600	1	0	_aMatisse, Henri, _d1869-1954 _xCriticism and interpretation.
600	1	0	_aMatisse, Henri, _d1869-1954.
700	1		_aD'Alessandro, Stephanie.
700	1		_aElderfield, John.
710	2		_aArt Institute of Chicago.
710	2		_aMuseum of Modern Art (New York, N.Y.)
948			_au312473
949			_aND553 .M37 A4 2010 _wLC _c1 _hEY8Z _i33039001159663
596			_a1
903			_a19154
999			_c19154 _d19154