000			03594cam a2200493 i 4500
001			1009682890
005			20190729124828.0
008			171106s2017 enka b 001 0 eng d
020			_a9781855145474
020			_a1855145472
035			_a(OCoLC)1009682890 _z(OCoLC)986883058
035			_a(OCoLC)on1009682890
040			_aFNE _beng _erda _cFNE _dOCLCQ _dYDX _dNZAUC _dWTU _dOCLCF
043			_ae-fr---
050		4	_aND553 .C33 _bE42 2017
100	1		_aElderfield, John.
245	1	0	_aCézanne portraits / _cJohn Elderfield with Mary Morton, Xavier Rey.
264		1	_aLondon : _bNational Portrait Gallery, _c2017.
300			_a255 pages : _billustrations ; _c31 cm.
336			_atext _btxt _2rdacontent.
336			_astill image _bsti _2rdacontent.
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
500			_aPublished to accompany the exhibition "Cézanne Portraits" held at the Musée D'Orsay in Paris from 13 June to 24 September 2017 ; the National Portrait Gallery in London from 26 October 2017 to 11 February 2018 ; the National Gallery of Art in Washington, D.C. from 25 March to 1 July 2018.
504			_aIncludes bibliographical references (pages 246-247) and index.
520			_a"This book, like the exhibition it accompanies, looks at the special pictorial and thematic characteristics of Cezanne's portraiture practice, including his creation of complementary pairs and multiple versions of the same subject. The chronological development of the artist's portraiture is also explored, with an examination of the changes that occurred with respect to his style and method, on the one hand, and his understanding of resemblance and identity, on the other . The extent to which particular sitters inflected the characteristics and development of his practice is also considered. Cezanne Portraits features works that mutually inform each other to reveal arguably the most personal, and therefore most human, aspect of his art, and one that has hitherto received surprisingly little attention. They range from Cezanne's earliest surviving self - portraits, dating from the 1860s, through to his final portraits of Vallier, the gardener at his hou se near Aix-en-Provence, made shortly before the artist's death in 1906. Exhibition curator John Elderfield contributes an illuminating introductory essay on Cezanne's portraiture, while the artist's biographer, the late Alex Danchev, provides an informative dramatis personae on the sitters featured. The catalogue texts are by John Elderfield, Mary Morton and Xavier Rey, and a chronology by Jayne Warman sets the artist's work in the context of his life." -- provided by publisher.
600	1	0	_aCézanne, Paul, _d1839-1906 _vExhibitions.
600	1	0	_aCézanne, Paul, _d1839-1906 _xCriticism and interpretation.
600	1	7	_aCézanne, Paul, _d1839-1906. _2fast _0(OCoLC)fst00035623.
650		0	_aPainters _zFrance _y19th century.
650		0	_aPortrait painting, French _y19th century _vExhibitions.
650		7	_aPainters. _2fast
650		7	_aPortrait painting, French. _2fast
651		7	_aFrance. _2fast _0(OCoLC)fst01204289.
648		7	_a1800-1899 _2fast.
655		7	_aExhibition catalogs. _2lcgft.
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635.
655		7	_aExhibition catalogs. _2fast _0(OCoLC)fst01424028.
700	1		_aMorton, Mary G.
700	1		_aRey, Xavier.
710	2		_aMusée d'Orsay.
710	2		_aNational Portrait Gallery (Great Britain)
710	2		_aNational Gallery of Art (U.S.)
999			_c114193 _d114193