TY - BOOK AU - Bauver,Robert AU - Chavarria,Antonio R. AU - Naataanii,TahNibaa AU - Webster,Laurie D. AU - Wenger,David A. AU - Williams,Ken TI - Water, wind, breath: Southwest Native art in the Barnes Foundation SN - 0300264127 AV - E78 .S7 B37 2022 PY - 2022///] CY - Philadelphia, PA PB - The Barnes Foundation KW - Barnes Foundation KW - Catalogs KW - Art KW - Indian art KW - Collectors and collecting KW - United States KW - 21st century KW - Exhibitions KW - Indian arts KW - Southwest, New KW - Indians of North America KW - Navajo blankets KW - Navajo silverwork KW - Pueblo pottery KW - Rugs N1 - "Published on the occasion of the exhibition 'Water, wind, breath: Southwest Native Art in Community', organized by [and held at] the Barnes Foundation, Philadelphia, February 20-May 15, 2022."--Colophon; Includes bibliographical references (pages 199-201) and index; Foreword and Acknowledgments --; Map --; In the shadows of paradise : Albert C. Barnes and the Spirit of Santa Fe; Lucy Fowler Williams --; Chasing the dawn : renewing the world in the Pueblo dance; Tony R. Chavarria --; Pueblo pottery: meditations on clay mother's gift; Tony R. Chavarria --; Checklist of Pueblo pottery in the Barnes Foundation --; Navajo textiles: weaving a space of great peace; TahNibaa Naataanii --; A Navajo "slave" blanket; Lucy Fowler Williams and TahNibaa Naataanii --; Dating the Southwest Native textiles in the Barnes Foundation; Laurie D. Webster --; Checklist of Southwest Native textiles in the Barnes Foundation --; Southwest Native jewelry; Ken Williams Jr. --; Chief Ignacio of the Weeminuche Band; Lucy Fowler Williams --; Silver and Southwest Native art; Robert Bauver --; Checklist of Southwest Native jewelry in the Barnes Foundation --; Appendix: summary table of Southwest Native textile dye analyses; David A. Wenger, PhD N2 - This richly illustrated book makes the Barnes Foundation's exceptional collection of Native American art from the Southwest available to the public for the first time. Collector and educator Albert C. Barnes traveled to the U.S. Southwest in 1930 and 1931 and, deeply impressed by the generative art practices he saw there, formed a collection of Pueblo and Navajo pottery, textiles, and jewelry. "Water, Wind, Breath" illuminates the materials, forms, and designs of the objects as they relate to Pueblo and Navajo histories and ideas. The book blends postcolonial and Indigenous perspectives, introducing readers to living artistic traditions filled with purpose, intention, and a deeply embedded spirituality that connects places, practices, and Native identities. Works by contemporary Native American artists are juxtaposed with historic pieces, illuminating the connections between heritage traditions and modern practices ER -