Days of sand / Aimee de Jongh.

By:

Jongh, Aimée de, 1988-

Contributor(s):

Bradley, Christopher

still image
text

Media type:

unmediated

Carrier type:

volume

ISBN:

9781914224041

Subject(s):

Genre/Form:

LOC classification:

PN6790 .N43 J66313 2022

Summary: A moving and unforgettable tale, inspired by real-life stories of courage and perseverance during the Dust Bowl of 1930s AmericaUnited States, 1937. In the middle of the Great Depression, 22-year-old photographer John Clark is brought in by the Farm Security Administration to document the calamitous conditions of the Dust Bowl in the central and southern states, in order to bring the farmers' plight to the public eye. When he starts working through his shooting script, however, he finds his subjects to be unreceptive. What good are a couple of photos against relentless and deadly dust storms? The more he shoots, the more John discovers the awful extent of their struggles, and comes to question his own role and responsibilities in this tragedy sweeping through the center of the country.

Holdings ( 1 )
Title notes ( 1 )

Holdings
Item type	Current library	Shelving location	Call number	Copy number	Status	Date due	Barcode
Comics & Graphic Novels	NMC Library	Comics/Graphic Novels Shelf	JONGH 2022 (Browse shelf(Opens below))	1	Available		33039001509685

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Previous	JACOB 2019 Good talk : a memoir in conversations /	JACOBS 2006 The 9/11 report : a graphic adaptation /	JANSSO 2006 Moomin : the complete Tove Jansson comic strip.	JONGH 2022 Days of sand /	KINGDO 2019 Kingdom come /	KOBABE 2019 Gender queer : a memoir /	KUPER 2015 Ruins /	Next

A moving and unforgettable tale, inspired by real-life stories of courage and perseverance during the Dust Bowl of 1930s AmericaUnited States, 1937. In the middle of the Great Depression, 22-year-old photographer John Clark is brought in by the Farm Security Administration to document the calamitous conditions of the Dust Bowl in the central and southern states, in order to bring the farmers' plight to the public eye. When he starts working through his shooting script, however, he finds his subjects to be unreceptive. What good are a couple of photos against relentless and deadly dust storms? The more he shoots, the more John discovers the awful extent of their struggles, and comes to question his own role and responsibilities in this tragedy sweeping through the center of the country.