Pieter Bruegel and the idea of human nature / Elizabeth Alice Honig.

By:

Honig, Elizabeth A

text
still image

Media type:

unmediated

Carrier type:

volume

ISBN:

9781789140767
1789140765

Contained works:

Bruegel, Pieter, approximately 1525-1569. Works. Selections

Subject(s):

LOC classification:

ND673 .B73 H665 2019

Summary: In sixteenth-century Northern Europe, during a time of increasing religious and political conflict, Flemish painter Pieter Bruegel explored how people perceived human nature. Bruegel turned his critical eye and peerless paintbrush to mankind's labors and pleasures, its foibles and rituals of daily life, portraying landscapes, peasant life, and biblical scenes in startling detail. Much like the great humanist scholar Erasmus of Rotterdam, Bruegel questioned how well we really know ourselves and also how we know, or visually read, others. His work often represented mankind's ignorance and insignificance, emphasizing the futility of ambition and the absurdity of pride. This superbly illustrated volume examines how Bruegel's art and ideas enabled people to ponder what it meant to be human. Published to coincide with the four-hundred-fiftieth anniversary of Bruegel's death, it will appeal to all those interested in art and philosophy, the Renaissance, and Flemish painting.

Holdings ( 1 )
Title notes ( 2 )

Holdings
Item type	Current library	Shelving location	Call number	Copy number	Status	Date due	Barcode
Book	NMC Library	Stacks	ND673 .B73 H665 2019 (Browse shelf(Opens below))	1	Available		33039001486751

Includes bibliographical references (pages 246-259) and index.

In sixteenth-century Northern Europe, during a time of increasing religious and political conflict, Flemish painter Pieter Bruegel explored how people perceived human nature. Bruegel turned his critical eye and peerless paintbrush to mankind's labors and pleasures, its foibles and rituals of daily life, portraying landscapes, peasant life, and biblical scenes in startling detail. Much like the great humanist scholar Erasmus of Rotterdam, Bruegel questioned how well we really know ourselves and also how we know, or visually read, others. His work often represented mankind's ignorance and insignificance, emphasizing the futility of ambition and the absurdity of pride. This superbly illustrated volume examines how Bruegel's art and ideas enabled people to ponder what it meant to be human. Published to coincide with the four-hundred-fiftieth anniversary of Bruegel's death, it will appeal to all those interested in art and philosophy, the Renaissance, and Flemish painting.