MARC details
000 -LEADER |
fixed length control field |
03694cam a22004094a 4500 |
001 - CONTROL NUMBER |
control field |
14009601 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
MiTN |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20190729102959.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
050621s2005 miua bc 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2005017847 |
015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
National bibliography number |
GBA558801 |
Source |
bnb |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0520246624 (cloth : alk. paper) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)ocm60715253 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Transcribing agency |
DLC |
Modifying agency |
YDX |
-- |
UKM |
-- |
BAKER |
-- |
IXA |
-- |
SYB |
-- |
DLC |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
EY8Z |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N6537.S2 |
Item number |
A4 2005 |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N6537.S2 |
Item number |
A4 2005a |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
709/.2 |
Edition number |
22 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Saar, Betye. |
245 10 - TITLE STATEMENT |
Title |
Betye Saar : |
Remainder of title |
extending the frozen moment / |
Statement of responsibility, etc. |
essays by James Christen Steward ... [et al.]. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Ann Arbor : |
Name of publisher, distributor, etc. |
University of Michigan Museum of Art ; |
Place of publication, distribution, etc. |
Berkeley : |
Name of publisher, distributor, etc. |
University of California Press, |
Date of publication, distribution, etc. |
c2005. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
176 p. : |
Other physical details |
ill. (chiefly col.) ; |
Dimensions |
31 cm. |
500 ## - GENERAL NOTE |
General note |
Published in conjunction with the exhibition Betye Saar: extending the frozen moment, held at the University of Michigan Museum of Art, Ann Arbor, Oct. 15, 2005-Jan. 8, 2006; at the Norton Museum, West Palm Beach, Florida, Mar. 18-June 11, 2006; and at the Pennsylvania Academy of the Fine Arts, Philadelphia, Sept. 8-Dec. 3, 2006. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (p. 170-172) and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Acknowledgments / James Christen Steward -- Artist's statement / Betye Saar -- "Lest we forget": the liberating art of Betye Saar / James Christen Steward -- Looks and gazes: photographic fragmentation and the found object / Deborah Willis -- To/from Los Angeles with Betye Saar / Kellie Jones -- Reverencing the mortal: assemblage art as prophetic protest in post-World War II California / Richard Candida Smith -- From frozen moment to spectator participation: assemblage and installation in the oeuvre of Betye Saar / Lowery Stokes Sims -- Plates and catalogue entries / Sean M. Ulmer, Katharine Derosier Weiss -- Mysticism -- Ancestry and ritual -- Racial imagery and stereotypes -- Nostalgia and memory -- Aunt Hattie -- Colored -- Notes to the catalogue entries -- Artist's chronology -- Selected bibliography. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
Publisher description : Betye Saar, born in Los Angeles in 1926, emerged in the 1960s as a powerful figure in the redefinition of African American art. Over the past forty years, she has injected African American visual histories into mainstream visual culture by blending spiritual, political, and cultural iconography to create complex works with universal impact. This beautifully illustrated book accompanies the first retrospective of Saar's work, showcasing the extraordinary depth and breadth of her achievement. It provides multiple vantage points from which to gain a richer understanding of Saar's career, American art of the 1960s, feminism, contemporary art, and California culture and politics. Contributor biographical notes : James Christen Steward is Director of the University of Michigan Museum of Art (UMMA). Kellie Jones is Assistant Professor of the History of Art and African American Studies at Yale University. Lowery Stokes Sims is Director of the Studio Museum, Harlem, New York. Richard Candida Smith is Professor of History at the University of California, Berkeley. Sean Ulmer is Curator of Modern and Contemporary Art at UMMA. Deborah Willis is Professor of Photography and Imaging at New York University. |
596 ## - |
-- |
1 |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Saar, Betye |
Form subdivision |
Exhibitions. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Steward, James Christen. |
710 2# - ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
University of Michigan. |
Subordinate unit |
Museum of Art. |
710 2# - ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Norton Museum of Art. |
710 2# - ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Pennsylvania Academy of the Fine Arts. |
948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
Series part designator, SPT (RLIN) |
u175039 |
949 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
N6537.S2 A4 2005 |
w |
LC |
c |
1 |
h |
EY8Z |
i |
33039000753524 |
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
a |
9764 |