MARC details
| 000 -LEADER |
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| fixed length control field |
04712cam a2200397 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
sky306169818 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
SKY |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230324121727.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
221007s2022 nyuaf e b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2022016189 |
| 019 ## - |
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| -- |
sky307185570 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1984825135 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781984825131 |
| Qualifying information |
(hardcover) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
OQX |
| Modifying agency |
OQX |
| -- |
BKL |
| -- |
APL |
| -- |
SKYRV |
| -- |
CoBoFLC |
| -- |
CoBPL |
| -- |
SKYRV |
| -- |
MiTN |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML3531 |
| Item number |
.A27 2022 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
782.421649 |
| Edition number |
23/eng/20220428\ |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
782.4216 ABR |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Abrams, Jonathan P. D., |
| Dates associated with a name |
1984-, |
| 245 14 - TITLE STATEMENT |
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| Title |
The come up : |
| Remainder of title |
an oral history of the rise of hip-hop / |
| Statement of responsibility, etc. |
Jonathan Abrams. |
| 246 1# - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Crown presents, The come up : |
| Remainder of title |
an oral history of the rise of hip-hop |
| 246 30 - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Oral history of the rise of hip-hop. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
First edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Crown, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2022] |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xiv, 528 pages, 16 unnumbered pages of plates : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
25 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
still image |
| Content type code |
sti |
| Source |
rdacontent. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (pages [495]-496) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Lemonade from lemons, Bronx, New York (1973-1979) -- The right menu, New York City (1978-1981) -- What in the world is this?, Englewood, New Jersey (1979-1982) -- A real mix, New York City (1979-1983) -- Never been the same, New York City (1983-2000) -- Completely different nations, Los Angeles (1983-1986) -- Atoms smashing, Long Island, New York (1985-1992) -- A gumbo of magnificence, New York City (1979-1988) -- Reinventing the wheel, New York City and New Jersey (1986-1996) -- Like a blueberry, Philadelphia, Los Angeles, Compton, New York City (1985-1995) -- Like Coachella in the studio, New York City (1988-1994) -- Parental advisory, Riverside, California ; Miami (1984-2003) -- Certain pockets, Atlanta, Houston, Memphis, New Orleans (1982-1995) -- Out hustling, The Bay Area (1983-2006) -- Pull quote, Beverly Hills (1992) -- A higher level of execution, Los Angeles (1992-1993) -- Raising the bar, New York City (1993-2003) -- The South got something to say, Atlanta, Houston, Memphis, New Orleans, Virginia (1995-present) -- That stuck with me, Oakland, Los Angeles, New York (1991-1997) -- The consciousness, The Midwest (1988-2010) -- Take it and flip it -- The recognition that it deserves -- Thank God because of hip-hop. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"The essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture--from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire. The music that we would later know as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it's the most popular genre in America and its electric impact on contemporary music is likened to that of jazz on the first half of the twentieth century. And yet, despite its tremendous influence, the voices of many of hip-hop's pioneers have never been thoroughly catalogued--and some are at risk of being lost forever. Now, in The Come Up, Jonathan Abrams offers the most comprehensive account so far of hip-hop's rise, told in the voices of the people who made it happen. Abrams traces how the genre grew out of the resourcefulness of an overlooked population amid the decay of the South Bronx, and from there how it overflowed into the other boroughs and then across the nation-from parks onto vinyl, below to the Mason-Dixon line, to the West Coast through gangster rap and G-funk, and then across generations. In more than 300 interviews conducted over three years, Abrams has captured the stories of the DJs, label executives, producers, and artists who both witnessed and made the history of hip-hop. He has on record Grandmaster Caz detailing hip-hop's infancy, Edward "Duke Bootee" Fletcher describing the origins of "The Message," DMC narrating his introduction of hip-hop to the mainstream, Ice Cube recounting N.W.A's breakthrough and breakup, Kool Moe Dee elaborating on his Grammys boycott, and many more key players. And he has conveyed with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music. The Come Up is an important contribution to the historical record and an exhilarating behind-the-scenes account of how hip-hop came to rule the world."-- |
| Assigning source |
Publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Hip-hop. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Rap (Music) |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Rap musicians |
| Form subdivision |
Interviews. |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Oral histories. |
| Source of term |
lcgft. |