MARC details
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03848cam a2200361Ii 4500 |
| 001 - CONTROL NUMBER |
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ocm890828965 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20221201151753.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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| fixed length control field |
ta |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
140429t20142014enka e b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2014932798 |
| 019 ## - |
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883461100 |
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888545488 |
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896289594 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0500291578 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780500291573 |
| 024 3# - OTHER STANDARD IDENTIFIER |
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| Standard number or code |
9780500291573 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)890828965 |
| 037 ## - SOURCE OF ACQUISITION |
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| Source of stock number/acquisition |
W W Norton & Co Inc, Keystone Industrial Park Attn Mike Charnogursky 800 Keystone Industrial Park, Scranton, PA, USA, 18512 |
| Note |
SAN 202-5795 |
| 040 ## - CATALOGING SOURCE |
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AU@ |
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eng |
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rda |
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AU@ |
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USD |
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DCT |
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MiTN |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N7476 |
| Item number |
.W544 2014 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Williams, Gilda, |
| 245 10 - TITLE STATEMENT |
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| Title |
How to write about contemporary art / |
| Statement of responsibility, etc. |
Gilda Williams. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
London ; |
| -- |
New York, New York : |
| Name of producer, publisher, distributor, manufacturer |
Thames & Hudson, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2014. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2014. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
264 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
21 cm. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier. |
| 500 ## - GENERAL NOTE |
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| General note |
"34 illustrations and 64 source texts." |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction. There is no single 'best' way to write about art ; 'International art English' ; Anyone can learn to write competently about art -- Section 1: The job : why write about contemporary art? Explaining v. evaluating ; Art-words and artworks ; Artist/dealer/curator/critic/blogger/'Kunstworker'/journalist/historian ; Out of the blue : where art-criticism came from ; Art-writing sans frontières -- Section 2: The practice : how to write about contemporary art. 'Fear is the root of bad writing' ; How to substantiate your ideas ; The audience : grounding specialists and non-specialists ; Practical 'how-to's -- Section 3: The ropes : how to write contemporary art formats. How to write an academic essay ; 'Explaining' texts ; 'Evaluating' texts ; How to write an artist's statement ; Writing formats compared: one artist, many writers -- Conclusion. How to read about contemporary art ; Notes. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counselling the reader against common pitfalls such as jargon and poor structure, Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art criticism |
| General subdivision |
Authorship. |