MARC details
000 -LEADER |
fixed length control field |
05019nam a2200541 i 4500 |
001 - CONTROL NUMBER |
control field |
9781785392030 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
Credo |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20220919103159.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
fixed length control field |
m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
cr cn||||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
150824r20152012enka o 000 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
1856697959 |
Qualifying information |
paperback |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781785392030 |
Qualifying information |
electronic version |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781856697958 |
Qualifying information |
paperback |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(CaBNVSL)gtp00563575 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(Credo)lkingaijn2012 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)919317700 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
CaBNVSL |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
CaBNVSL |
Modifying agency |
CaBNVSL |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N5300 |
Item number |
.B645 2012 |
Materials specified |
EBOOK |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
709 |
Edition number |
23 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Bird, Michael, |
Dates associated with a name |
1958- |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
100 ideas that changed art / |
Statement of responsibility, etc. |
Michael Bird. |
246 30 - VARYING FORM OF TITLE |
Title proper/short title |
Art. |
246 3# - VARYING FORM OF TITLE |
Title proper/short title |
Hundred ideas that changed art. |
246 30 - VARYING FORM OF TITLE |
Title proper/short title |
Ideas that changed art. |
246 3# - VARYING FORM OF TITLE |
Title proper/short title |
One hundred ideas that changed art. |
250 ## - EDITION STATEMENT |
Edition statement |
[Enhanced Credo edition] |
263 ## - PROJECTED PUBLICATION DATE |
Projected publication date |
20150902 |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London [England] : |
Name of producer, publisher, distributor, manufacturer |
Laurence King Pub., |
Date of production, publication, distribution, manufacture, or copyright notice |
2012. |
264 31 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Boston, Massachusetts : |
Name of producer, publisher, distributor, manufacturer |
Credo Reference, |
Date of production, publication, distribution, manufacture, or copyright notice |
2015. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (105 entries) : |
Other physical details |
images ; |
Dimensions |
digital files. |
336 ## - CONTENT TYPE |
Content type term |
still image |
Source |
rdacontent |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction -- No. 1. Cave and rock art -- No. 2. Fired clay -- No. 3. Land as material -- No. 4. Statue -- No. 5. Wall painting -- No. 6. Scaling up -- No. 7. Narrative -- No. 8. Relief carving -- No. 9 .Body as surface -- No. 10. The nude -- No. 11. Contrapposto -- No. 12. Propaganda -- No. 13. Lost-wax casting -- No. 14. Paper -- No. 15. Memorial -- No. 16. Architectural sculpture -- No. 17. Word as image -- No. 18. Colored glass -- No. 19. Frame -- No. 20. Icon -- No. 21. Making books -- No. 22. The grotesque -- No. 23. Erotic art -- No. 24. Handwriting -- No. 25. Mosaic -- No. 26. Multipanel painting -- No. 27. Miniatures -- No. 28. Oil paint -- No. 29. Window on the world -- No. 30. Mathematics -- No. 31. Linear perspective -- No. 32. Trompe-l'oeil -- No. 33. Color codes -- No. 34. Allegory -- No. 35. Portrait -- No. 36. The sketch -- No. 37. Mirrors -- No. 38. Printmaking -- No. 39. Chiaroscuro -- No. 40. Anatomy -- No. 41. Still life -- No. 42. Copying -- No. 43. Canvas -- No. 44. Camera obscura -- No. 45. Reinventing Greek art -- No. 46. Landscape -- No. 47. Series -- No. 48. Collections -- No. 49. History painting -- No. 50. Whiteness -- No. 51. Academies -- No. 52. Romanticism -- No. 53. Authenticity -- No. 54. The artist -- No. 55. Watercolor -- No. 56. Confronting reality -- No. 57. Medievalism -- No. 58. Dealing -- No. 59. Capturing the instant -- |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
No. 60. Assemblage -- No. 61. Commercial design -- No. 62. Paint in tubes -- No. 63. Photography -- No. 64. Art colonies -- No. 65. Artificial light -- No. 66. The unconscious -- No. 67. The primitive -- No. 68. Multiple viewpoints -- No. 69. Collage -- No. 70. Machine forms -- No. 71. Abstract art -- No. 72. Satire -- No. 73. Found objects -- No. 74. Kinetic art -- No. 75. Scenes of daily life -- No. 76. Installation -- No. 77. Expressing inner states -- No. 78. Plastics -- No. 79. Protest -- No. 80. Documentary -- No. 81. Chance -- No. 82. Shock -- No. 83. Welding -- No. 84. Pop -- No. 85. Less is more -- No. 86. Opticality -- No. 87. Hallucinogens -- No. 88. Performance art -- No. 89. Personal is political -- No. 90. Moving images -- No. 91. Conceptual art -- No. 92. Titles -- No. 93. Body as medium -- No. 94. Street art -- No. 95. Globalization -- No. 96. Digital technology -- No. 97. Museum -- No. 98. Negative space -- No. 99. The internet -- No. 100. Ephemerality -- Glossary -- Acknowledgments. |
506 ## - RESTRICTIONS ON ACCESS NOTE |
Terms governing access |
Access restricted to authorized users and institutions. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. Arranged in broadly chronological order, it provides a source of inspiration and a fascinating resource for the general reader to dip into. Lavishly illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art. |
520 3# - SUMMARY, ETC. |
Summary, etc. |
From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. |
538 ## - SYSTEM DETAILS NOTE |
System details note |
Mode of access: World Wide Web. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Description based on title page of print version. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art |
General subdivision |
History. |
710 2# - ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Credo Reference (Firm), |
Relator term |
distributor. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
Relationship information |
Print version: |
International Standard Book Number |
1856697959 |
-- |
9781856697958 |
Physical description |
216 pages : illustrations (chiefly color) |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Public note |
Available online to NMC users; click to view. |
Uniform Resource Identifier |
<a href="https://ezp.idm.oclc.org/login?url=https://search.credoreference.com/content/title/lkingaijn?institutionId=5224">https://ezp.idm.oclc.org/login?url=https://search.credoreference.com/content/title/lkingaijn?institutionId=5224</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Ebook |