NMC Library

Dancing revolution : (Record no. 506133)

MARC details
000 -LEADER
fixed length control field 03539cam a2200409 i 4500
001 - CONTROL NUMBER
control field ocm1057375700
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20211104145320.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190318s2019 ilua b s001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2018059613
019 ## -
-- 1057376233
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780252042393
Qualifying information hardcover
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0252042395
Qualifying information hardcover
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780252084188
Qualifying information paperback
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0252084187
Qualifying information paperback
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1057375700
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency OCLCO
-- IOH
-- OCLCF
-- MNN
-- SPI
-- YDX
-- UtOrBLW
-- MiTN
042 ## - AUTHENTICATION CODE
Authentication code pcc
043 ## - GEOGRAPHIC AREA CODE
Geographic area code n-us---
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number GV1623
Item number .S65 2019
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Smith, Christopher J.
Fuller form of name (Christopher John),
Dates associated with a name 1959-
245 10 - TITLE STATEMENT
Title Dancing revolution :
Remainder of title bodies, space, and sound in American cultural history /
Statement of responsibility, etc. Christopher J. Smith.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Urbana :
Name of producer, publisher, distributor, manufacturer University of Illinois Press,
Date of production, publication, distribution, manufacture, or copyright notice [2019]
300 ## - PHYSICAL DESCRIPTION
Extent xii, 255 pages :
Other physical details illustrations ;
Dimensions 23 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent.
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia.
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier.
490 1# - SERIES STATEMENT
Series statement Music in American life.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction : "Callin' out, around the world..." -- Sacred bodies in the great awakenings -- A tale of two cities I : akimbo bodies and the English Caribbean -- Spaces, whistles, tags, and drums : irruptive noise -- A tale of two cities II : festival and spectacle in the French Caribbean -- Utopian movements and moments : shakers and ghost dancers -- Blackface transformations I : modernism, primitivism, and race -- Blackface transformations II : voyeurism, identity, and double-consciousness -- Body and spirit in a post-1960s world : hippies, queens, punks, and B-boys -- Street dance and the dream of Freedom : "It's an invitation across the nation..."
520 ## - SUMMARY, ETC.
Summary, etc. "Smith's project reconfigures the understanding of public space as a site for symbolic contestation of social and political control by investigating historical moments of participatory vernacular dance. Smith focuses extensively on public venues, such as the street, dance hall, and theater, in order to analyze the ways in which participatory public dance--street dance--functioned as a tool for contesting, constructing, or reinventing social order. Utilizing individual case studies that include, in part, the God-intoxicated public demonstrations of the First Great Awakening; the Creolized antebellum theatrical and festival dance of cities as diverse as New Orleans, Albany, and Bristol; the modernism, primitivism, and racial integration of 20th century African American popular dance; and the social role of dance in contemporary transgressive communities, Smith's project spans centuries, geographies, and cultural identities. Smith contends that highly diverse groups from across a very wide span of political and cultural identities have struck upon street dance as an effective and empowering rhetorical strategy. Smith analyzes the particularly explosive contestation of gender, sexuality, race, class, and community identity that occurs when these participatory public dances occur"--
Assigning source Provided by publisher.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Dance
Geographic subdivision United States
General subdivision History.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Dance
General subdivision Social aspects
Geographic subdivision United States
General subdivision History.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Popular culture
Geographic subdivision United States
General subdivision History.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Online version:
Main entry heading Smith, Christopher J. (Christopher John), 1959- author.
Title Dancing revolution
Place, publisher, and date of publication Urbana : University of Illinois Press, 2019
International Standard Book Number 9780252051234
Record control number (DLC) 2019013274.
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Music in American life.
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Shelving location Date acquired Full call number Barcode Date last seen Copy number Koha item type
    Library of Congress Classification     Stacks 11/04/2021 GV1623 .S65 2019 33039001460517 06/26/2023 1 Book

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