MARC details
| 000 -LEADER |
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| fixed length control field |
04609cam a2200505 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
2015563599 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
DLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190729110400.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
150729s2015 nyua b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2015563599 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0062271784 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780062271785 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780062271792 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)ocn881655768 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)881655768 |
| Canceled/invalid control number |
(OCoLC)881659904 |
| -- |
(OCoLC)902670085 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
YDXCP |
| Language of cataloging |
eng |
| Transcribing agency |
YDXCP |
| Description conventions |
rda |
| Modifying agency |
OCLCQ |
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BTCTA |
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BDX |
| -- |
OCLCQ |
| -- |
OCO |
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CLE |
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UOK |
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VP@ |
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BUR |
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CDX |
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WTU |
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OCLCF |
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DLC |
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MvI |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
lccopycat |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
n-us--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML3540.5 |
| Item number |
.M38 2015 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
781.648 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Matos, Michaelangelo, |
| 245 14 - TITLE STATEMENT |
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| Title |
The underground is massive : |
| Remainder of title |
how electronic dance music conquered America / |
| Statement of responsibility, etc. |
Michaelangelo Matos. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
First edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York, NY : |
| Name of producer, publisher, distributor, manufacturer |
Dey St., an imprint of William Morrow Publishers, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2015] |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xvi, 427 pages, 16 unnumbered pages of plates : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (pages 401-404) and index. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes "Mixography." |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
What started as an underground party business--run and dominated by youths and hustlers--grew into the music business's greatest and biggest success. This is the first-ever big-picture history of the American electronic dance music underground, viewed through the lens of nineteen parties over thirty years--from the black, gay underground clubs of Chicago and Detroit's elite teen-party scene through nineties "electronica" to today's EDM-festival juggernaut, the book takes in the rise of the Internet and Burning Man, 9/11, and the collapse of the record business--and vividly charts why and how it took nearly three decades after electronic dance music became a global youth soundtrack for it to hit big in the land that birthed it. Through unparalleled insider access to anecdotes, interviews, and history, Michaelangelo Matos demystifies how what once belonged to a devoted audience of casual partiers and diehard dancers has become America's soundtrack of choice and changed the music industry completely. Matos expertly tackles the vast diversity of EDM's musical landscape, its technologically prophetic yet illicit origins, and the path by which underground raves grew into fiercely successful music festivals. Taking in legendary artists from Frankie Knuckles to Moby as well as the biggest names in EDM--Diplo, Skrillex, Deadmau5, David Guetta,TieÌsto, and Daft Punk--Matos's deep mix of sources and wide-lens overview of the culture make every chapter a page-turning revelation.--From publisher description. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Power Plant (Chicago, Illinois) : early 1983 -- The Music Institute (Detroit, Michigan) : November 24, 1989 -- Stranger than Fiction (Los Angeles, California) : September 7, 1990 -- The Finale of the Gathering + UFOs Are Real (San Francisco, California) : April 11, 1992 -- Grave (Milwaukee, Wisconsin) : October 28, 1992 -- Storm Rave (Staten Island, New York) : December 12, 1992 -- Rave America (Los Angeles, California) : December 31, 1992 -- See the Light Tour (Thirteen North American cities) : October-November 1993 -- Spastik (Detroit, Michigan) : August 8, 1994 -- Even Furthur '96 (Blue River, Wisconsin) : May 24-27, 1996 -- Organic '96 (San Bernardino, California) : June 22, 1996 -- Woodstock '99 (Rome, New York) : July 22 : 251 -- Detroit Electronic Music Festival (Detroit, Michigan) : May 26-29, 2000 -- Phuture Phat Hong Kong Phooey (New Orleans, Louisiana) : August 26, 2000 -- Electroclash Festival 2001 (New York City) : October 10, 2001 -- Coachella (Indio, California) : April 29-30, 2006 -- Electric Daisy Carnival (Las Veqas, Nevada) : June 24-26, 2011 -- Random Access Memories (Los Angeles, California) : January 26, 2014. |
| 596 ## - |
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| -- |
1 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Electronic dance music |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Electronica (Music) |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Techno music |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Electronica (Music) |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01765256 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Techno music. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01144987 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Underground dance music. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01160932 |
| 651 #7 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
United States. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01204155 |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Criticism, interpretation, etc. |
| Source of term |
fast |
| Authority record control number |
(OCoLC)fst01411635 |
| 948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
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| Series part designator, SPT (RLIN) |
u609425 |
| 949 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| a |
ML3540.5 .M38 2015 |
| w |
LC |
| c |
1 |
| h |
EY8Z |
| i |
33039001394617 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
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| a |
32904 |