NMC Library

A new history of American and Canadian folk music / (Record no. 236994)

MARC details
000 -LEADER
fixed length control field 03756cam a2200349 i 4500
001 - CONTROL NUMBER
control field ocm1051054464
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20210129114008.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190220t20202020nyu 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2019008327
019 ## -
-- 1051076809
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 1501344145
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781501344145
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781501344152
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 1501344153
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency OCLCF
-- OCLCO
-- UKMGB
-- TOH
-- YDX
-- PSC
-- YUS
-- ICU
-- MiTN
043 ## - GEOGRAPHIC AREA CODE
Geographic area code n-us---
-- n-cn---
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML3550
Item number .W45 2020
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Weissman, Dick,
245 12 - TITLE STATEMENT
Title A new history of American and Canadian folk music /
Statement of responsibility, etc. Dick Weissman.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York, New York :
Name of producer, publisher, distributor, manufacturer Bloomsbury Academic,
Date of production, publication, distribution, manufacture, or copyright notice 2020.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2020.
300 ## - PHYSICAL DESCRIPTION
Extent vi, 331 pages ;
Dimensions 24 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent.
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia.
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction : a new look at American and Canadian folk music -- 1. From the beginning : folksong collectors and collections and regional music styles in the United States and Canada -- 2. Mass distribution : radio, records and pre-World War Two artists -- 3. Early protest music : The Industrial Workers of the World, the coal miners, the cotton mills and communist and socialist agitators -- 4. The Almanac Singers, people's songs, people's artists and the Blacklist -- 5. The Weavers and the beginning of the folk revival -- 6. Meanwhile, back in Canada -- 7. Selling the music : The New York scene -- 8. Beyond the Big Apple : coffeehouses, folk music organizations and folk music instrument shops in Boston, Chicago, Denver, Los Angeles, Philadelphia, the Pacific Northwest, San Francisco and Toronto -- 9. The riddle of authenticity -- 10. The civil rights movement and folk music -- 11. Folk-rock, the British Invasion, and the rise of the singer-songwriters -- 12. The increasing infuence of singer-songwriters and the women's music movement -- 13. North American folk festivals and summer teaching camps -- 14. Instrumental music : development and expansion of musical possibilities -- 15. The folk music business -- 16. What's going on : expansion, contraction and evolution -- 17. Looking back : an evaluation of four major figures in the folk revival -- 18. Today and tomorrow.
520 ## - SUMMARY, ETC.
Summary, etc. "Building on his 2006 book, Which Side Are You On?, Dick Weissman's A New History of American and Canadian Folk Music presents a provocative discussion of the history, evolution, and current status of folk music in the United States and Canada. North American folk music achieved a high level of popular acceptance in the late 1950s. When it was replaced by various forms of rock music, it became a more specialized musical niche, fragmenting into a proliferation of musical styles. In the pop-folk revival of the 1960s, artists were celebrated or rejected for popularizing the music to a mass audience. In particular the music seemed to embrace a quest for authenticity, which has led to endless explorations of what is or is not faithful to the original concept of traditional music. This book examines the history of folk music into the 21st century and how it evolved from an agrarian style as it became increasingly urbanized. Scholar-performer Dick Weissman, himself a veteran of the popularization wars, is uniquely qualified to examine the many controversies and musical evolutions of the music, including a detailed discussion of the quest for authenticity, and how various musicians, critics, and fans have defined that pursuit."--
Assigning source Provided by publisher.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Folk music
Geographic subdivision United States
General subdivision History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Folk music
Geographic subdivision Canada
General subdivision History and criticism.
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Shelving location Date acquired Full call number Barcode Date last seen Copy number Koha item type
    Library of Congress Classification     Stacks 01/29/2021 ML3550 .W45 2020 33039001495224 07/20/2023 1 Book

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