MARC details
000 -LEADER |
fixed length control field |
02688cam a2200325 i 4500 |
001 - CONTROL NUMBER |
control field |
ocm1089438714 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20200122110842.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190309t20192019njua e b 001 0 eng c |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2018957591 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780691156521 |
Qualifying information |
(hbk. ; |
-- |
acid-free paper) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0691156522 |
Qualifying information |
(hbk. ; |
-- |
acid-free paper) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)on1089438714 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
YDX |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
YDX |
Modifying agency |
UKMGB |
-- |
OCLCO |
-- |
OCLCF |
-- |
PUL |
-- |
CDX |
-- |
OCLCQ |
-- |
BKL |
-- |
FSJ |
-- |
NYP |
-- |
EYR |
-- |
MiTN |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N7480 |
Item number |
.W673 2019 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Wood, Christopher S. |
245 12 - TITLE STATEMENT |
Title |
A history of art history / |
Statement of responsibility, etc. |
Christopher S. Wood. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Princeton : |
Name of producer, publisher, distributor, manufacturer |
Princeton University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2019] |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2019. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
461 pages : |
Other physical details |
illustrations ; |
Dimensions |
25 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent. |
336 ## - CONTENT TYPE |
Content type term |
still image |
Content type code |
sti |
Source |
rdacontent. |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia. |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 409-443) and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction -- 800-1400 -- 1400-1500 -- 1500-1550 -- 1550-1600 -- 1600-1650 -- 1650-1700 -- 1700-1750 -- 1750-1770 -- 1770-1790 -- 1790-1810 -- 1810-1830 -- 1830-1850 -- 1850-1870 -- 1870-1890 -- 1890-1900 -- 1900-1910 -- 1910-1920 -- 1920-1930 -- 1930-1940 -- 1940-1950 -- 1950-1960 -- Conclusion: novissima. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art |
General subdivision |
Historiography. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art |
General subdivision |
History. |