MARC details
| 000 -LEADER |
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| fixed length control field |
03036nam a2200337 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
2011048245 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
DLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190729104605.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
111123s2012 ncu b 001 0 eng c |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2011048245 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780822350996 (cloth : alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780822351085 (pbk. : alk. paper) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
NcD/DLC |
| Transcribing agency |
NcD |
| Modifying agency |
MiTN |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
EY8Z |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML3916 |
| Item number |
.P673 2012 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
781.64/159 |
| Edition number |
23 |
| 245 00 - TITLE STATEMENT |
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| Title |
Pop when the world falls apart : |
| Remainder of title |
music in the shadow of doubt / |
| Statement of responsibility, etc. |
[edited by] Eric Weisbard. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Durham and London : |
| Name of publisher, distributor, etc. |
Duke University Press, |
| Date of publication, distribution, etc. |
2012. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
329 p. : |
| Other physical details |
ill. ; |
| Dimensions |
24 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction / Eric Weisbard -- Collapsing distance: the love-song of the wanna-be, or the fannish auteur / Jonathan Lethem -- Black rockers vs. blackies who rock, or the difference between race and music / Greg Tate -- Toward an ethics of knowing nothing / Alexandra T. Vazquez -- Divided byline: how a student of Leslie Fiedler and a colleague of Charles Keil became the ghostwriter for everybody from Ray Charles to Cornel West / David Ritz -- Boring and horrifying whiteness: the rise and fall of reaganism as prefigured by the career arcs of Carpenters, Lawrence Welk, and the Beach Boys in 1973-74 / Tom smucker -- Perfect is dead: Theodor Adorno, Karen Carpenter, and the radio, or if hooks could kill / Eric Lott -- Agents of orange: Studio K and Cloud 9 / Karen Tongson -- Belliphonic sounds and indoctrinated ears: the dynamics of military listening in wartime Iraq / J. Martin Daughtry -- Since the flood: scenes from the fight for New Orleans jazz culture / Larry Blumenfeld -- (Over the) Rainbow warrior: Israel Kamakawiwole and another kind of somewhere / Nate Chinen -- Travel with me: country music, race, and remembrance / Diane Pecknold -- The comfort zone: shaping the retro-soul audience / Oliver Wang -- Within limits: on the greatness of magic slim / Carlo Rotella -- Urban music in the teenage heartland / Brian Boedde, Austin Bunn, and Elena Passarello -- Death to racism and punk revisionism?: Alice Bag's vexing voice and the unspeakable influence of cancioÌn ranchera on Hollywood punk / Michelle Gabell-PallaÌn -- Of wolves and vibrancy: a brief exploration of the marriage made in hell between folk music, dead cultures, myth, and highly technical modern extreme metal / Scott Seward -- The new market affair: media pranks, the music industrys last big gold rush, and the hunt for hits in the Shenandoah valley / Kembrew Mcleod -- All that is solid melts into schmaltz: poptimism vs. the guilty displeasure / Carl Wilson. |
| 596 ## - |
|---|
| -- |
1 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music |
| General subdivision |
Social aspects |
| -- |
History |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music |
| General subdivision |
Social aspects |
| -- |
History |
| Chronological subdivision |
21st century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Popular music |
| General subdivision |
History and criticism. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Weisbard, Eric. |
| 948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
|---|
| Series part designator, SPT (RLIN) |
u346071 |
| 949 ## - LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| a |
ML3916 .P673 2012 |
| w |
LC |
| c |
1 |
| h |
EY8Z |
| i |
33039001220259 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
|---|
| a |
21629 |