MARC details
| 000 -LEADER |
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| fixed length control field |
03126nam a22004934a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
2010283932 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
DLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190729104253.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
101201s2010 ilua bc 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2010283932 |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
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| National bibliography number |
GBB040462 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
015511939 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780300177244 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780300155273 (hbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0300155271 (hbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780865592377 (paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0865592373 (paper) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)ocn559857331 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
UKM |
| Transcribing agency |
UKM |
| Modifying agency |
YUS |
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C#P |
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BTCTA |
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YDXCP |
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BWX |
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VVC |
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CDX |
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IBI |
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NLGGC |
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UKTTE |
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NTE |
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KEC |
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NSB |
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DLC |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
ukscp |
| -- |
lccopycat |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
EY8Z |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ND553.M37 |
| Item number |
A4 2010 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
759.4 |
| Edition number |
22 |
| 245 00 - TITLE STATEMENT |
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| Title |
Matisse : |
| Remainder of title |
radical invention, 1913-1917 / |
| Statement of responsibility, etc. |
Stephanie D'Alessandro, John Elderfield. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
1st ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Chicago, Ill. : |
| Name of publisher, distributor, etc. |
Art Institute of Chicago ; |
| Place of publication, distribution, etc. |
New Haven, Conn. : |
| Name of publisher, distributor, etc. |
Distributed by Yale University Press, |
| Date of publication, distribution, etc. |
c2010. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
368 p. : |
| Other physical details |
ill. (chiefly col.) ; |
| Dimensions |
34 cm. |
| 500 ## - GENERAL NOTE |
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| General note |
"Published in conjunction with an exhibition of the same title co-organized by the Art Institute of Chicago and the Museum of Modern Art, New York. Exhibition dates: Art Institute of Chicago, March 20, 2010-June 20, 2010; Museum of Modern Art, July 18, 2010-October 11, 2010"--T.p. verso. |
| 500 ## - GENERAL NOTE |
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| General note |
At foot of title: Art Institute of Chicago ; Museum of Modern Art ; Yale University Press, New Haven and London. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (p. 356-361) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Matisse, 1913-1917, and the methods of modern construction -- Defining a new art -- Chronology 1907-1913 ; Modernism and tradition ; Opportunity and invention ; Construction by means of color -- Changing direction -- Chronology 1913-1914 ; A painful effort ; New ambitions -- Art as experiment -- Chronology 1914-1917 ; Interruptions and returns ; The challenge of painting ; Charting a new course -- Coda : the experiment remembered. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
This book examines the working method, experimental techniques, and compositional choices Matisse used in works created between 1913 and 1917. The works that Henri Matisse (1869-1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberrations within the artist's oeuvre, or as singular responses to Cubism or World War I, this book reveals the deep connections among them. |
| 596 ## - |
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| -- |
1 |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Matisse, Henri, |
| Dates associated with a name |
1869-1954 |
| Form subdivision |
Exhibitions. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Matisse, Henri, |
| Dates associated with a name |
1869-1954 |
| General subdivision |
Criticism and interpretation. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Matisse, Henri, |
| Dates associated with a name |
1869-1954. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
D'Alessandro, Stephanie. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Elderfield, John. |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Art Institute of Chicago. |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Museum of Modern Art (New York, N.Y.) |
| 948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
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| Series part designator, SPT (RLIN) |
u312473 |
| 949 ## - LOCAL PROCESSING INFORMATION (OCLC) |
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| a |
ND553 .M37 A4 2010 |
| w |
LC |
| c |
1 |
| h |
EY8Z |
| i |
33039001159663 |
| 903 ## - LOCAL DATA ELEMENT C, LDC (RLIN) |
|---|
| a |
19154 |